Mustang Sally

Mack Rice’s composition became a hit when it was covered by Wilson Pickett in 1966. Since then, everyone has covered it. Including those of us in this global virtual collab.

Our collab was based on a recording by Jimmy Barnes, who had a tight horn section on board for his cover version. My transcription is based on that, which I think is “more Wilson Pickett and less The Commitments”.

Our cover also marks the first time I was brave enough to play trombone in public!

Resources:

Mustang Sally - Score & Horn Charts. Transcribed by Gary Badger - www.GaryBadger.com

Transcribed by me and free for you to use.

What do you think? Please leave a comment and let me know.

The Carpenters: Calling Occupants of Interplanetary Craft

In collaboration with James Wilkas and Tori Holub, we added a horn section to Tori’s band to cover Calling Occupants of Interplanetary Craft.

The original Carpenters recording used a studio orchestra of around 160 musicians. We managed our version within the constraints of two horns, plus rhythm section.

My transcription covers the original brass and woodwind lines, arranged for flute, soprano sax (or clarinet), tenor sax, trumpets, and flugelhorns (masquerading as French horns). If you’re looking to cover this song with horns, this will do the job nicely!

Resources:

Calling Occupants of Interplanetary Craft - Horn Charts. Transcribed by Gary Badger www.Gary Badger.com

Transcribed by me and free for you to use.

What do you think? Please leave a comment and let me know.

Martha and the Muffins – Echo Beach

“Hey, Gary! Can you play a gig on Friday night?”
Sure!
“Can you play the sax solo from Echo Beach on trumpet?”
Absolutely!
“Do you know it?”
Not yet….

Here’s my transcription of the raspy tenor sax solo as played by Andy Haas on the original recording.

Resources:

Echo Beach - Tenor Sax Solo. Transcribed by Gary Badger - www.GaryBadger.com

Transcribed by me and free for you to use.

What do you think? Please leave a comment and let me know.

AC/DC Back in Black: Funk Version

It was bound to happen eventually: I’ve transcribed something that was created by AI, so that real people can play it.

This one’s a funk take on the AC/DC hard rock classic, reimagined for a funk band with a hot horn section. Power chords have been swapped out for funk-friendly chords, and the iconic guitar riffs are now carried entirely by the horns.

Some of the horn lines were hard to distinguish in the AI source while I was transcribing, because there were none of the usual human characteristics that help me to identify a trumpet, sax, or trombone player. As a result, I made a few educated guesses and also took some creative license where there were opportunities for improvement.

This chart has already been played live, and it sizzles!

Resources:

Back in Black (Funk Version). Transcribed by Gary Badger - www.GaryBadger.com

Transcribed by me and free for you to use.

What do you think? Please leave a comment and let me know.

Come On Eileen — Ska-Punk Tribute with Horns!

Here’s a full-power brass tribute to Come On Eileen — inspired by Dexys Midnight Runners’ 80s classic and Save Ferris’s 90s ska revival.

This cover stays faithful to the Save Ferris version, so if you know that recording, you’ll hear all the classic horn lines come through.

Although I’d transcribed the trumpet chart a few years ago, I found a more complete version by Marshall Parker, which we leveraged for this recording. Be sure to check out Marshall Parker’s full score on MuseScore.

forScore Custom Jazz Stamps – The Mega Pack

forScore-iconLast year I put together a custom set of Jazz Stamps for forScore, the popular iPad app used by musicians to display sheet music. I originally made the stamps for myself, as a trumpet player who often needs markings geared toward jazz phrasing, brass techniques, and other performance situations that weren’t well covered in the default set.

I chose Jazz Fonts for my stamps because they are easier on the eye and feel friendlier than traditional engraving. On a conventional typeset chart, they stand out more, which makes them noticeable and useful when reading at speed.

When I first shared the collection on my website and in the forScore Facebook Group, the response was surprisingly positive: hundreds of downloads, steady traffic from search engines, and helpful feedback from other musicians. Many of their suggestions turned into new stamps, and the collection has now grown to a massive 240+.

It’s now at the point where I’ve replaced my default stamps in forScore entirely, and I’m ready to share my new Jazz Stamp Mega Pack as the final and comprehensive collection. It covers:

  • Articulations, tempos, and style markings
  • Accidentals, repeats, and simple notation
  • Cues, instrument changes, and mutes
  • Page turn warnings, emojis, and more

forScore Custom Jazz Stamps Mega Pack Created by Gary Badger www.GaryBadger.com

Here’s a preview of the stamps, customized for use on my iPad, with my most frequently used stamps at the bottom for easy access.

Most are practical, some are just for fun, but all are intended to make digital score-marking faster and clearer.

👉 Download the Jazz Stamp Mega Pack here

How to install:

  1. Download the ZIP file to a PC or Mac (unless you have an iPad app for opening ZIP files).
  2. Unzip it on your device to create a folder of individual PNG stamp files. Save the folder somewhere you can access from your iPad (for example, Google Drive or a USB connection).
  3. Open forScore, go to the Annotations menu, and select Stamps (furthest left icon).
  4. Tap the Ellipsis […] and choose Files from the menu.
  5. Navigate to the folder of PNGs you saved.
  6. Select the PNG files you want to import.
  7. Use your new Jazz Stamps — they’ll now be ready in forScore.

You have the freedom to reorder, resize, and recolor stamps to suit your needs, and the ability to delete any that you don’t want.

For more information about Stamps refer to the forScore User Guide.

Enjoy!

Capitalising Every Word In A Song Title Is Silly!

I’ve got a pet peeve to share: Capitalising Every Word In A Song Title Is Silly! Not only does it look clunky, but it’s also not correct grammar.

This isn’t just a matter of personal preference. There are long-standing style guides that set the standards for how titles should be written. A few of the big ones are:

  • Chicago Manual of Style (widely used in US publishing and the music industry, first published 1906).
  • AP Style (standard in US journalism, first published 1953).
  • Oxford / British Style Guides (common in UK publishing and academia, with roots in the early 20th century).

Looking for some backup, I put the question to ChatGPT, and got the confirmation I was looking for. So here it is, for your reference (or to quickly scroll past):


🎵 Title Capitalisation Cheat Sheet

1. Songs / Pop & Jazz Titles (Title Case)

  • Capitalise: nouns, pronouns, verbs, adjectives, adverbs.
  • Lowercase: a, an, the, and, but, or, for, nor, on, at, by, to, in, of, with (unless first or last word).

Examples:

  • Bridge over Troubled Water
  • A Whiter Shade of Pale
  • Land of Make Believe

2. Classical Works (Sentence Case Is Common)

  • Only the first word and proper nouns get capitals.
  • Generic terms (concerto, symphony, variations, quartet) stay lowercase.

Examples:

  • Variations on a theme by Erik Satie
  • Piano concerto in A minor, Op. 16
  • Symphony no. 5 in C minor

👉 If writing for a US or non-academic audience, Title Case is also acceptable:

  • Variations on a Theme by Erik Satie

3. General Writing / Blogs / Articles

  • Chicago Style → Title Case (common in books, websites, publishing).
  • Oxford / UK academic style → Sentence case.

Examples:

  • Chicago: How to Badger Your Neighbours with Daily Trumpet Practice
  • Oxford: How to badger your neighbours with daily trumpet practice

✅ Quick Rules to Remember

  1. Don’t capitalise short joining words (of, on, a, the, and, in) unless at the start/end.
  2. Songs = Title Case. Classical = Sentence case. Blogs = depends on audience.
  3. Consistency beats perfection — pick one system and stick with it.

All that said, I’ve noticed albums in my own collection where the song titles are printed entirely in UPPER CASE, sidestepping the issue altogether. 🤣

Chuck Mangione: My Musical Hero

RIP Chuck Mangione

Thank you to my friends who have reached out following news that my musical hero, Chuck Mangione, has passed away.

Chuck and his music have had the most significant impact on me as a musician. More than any other artist or teacher. And given the role of music in my life, it would be fair to say that Chuck was (and continues to be) a major influence in my life. It is truly an honour to have an association with the Mangione family, and to also know that Chuck heard and appreciated a video I recorded covering one if his tunes.

There’s a reason why the flugelhorn is my instrument of choice and Chuck’s music is in my heart: It Feels So Good.

Fans of Chuck may be interested in the Chuck Mangione Facebook Group, of which I’m an administrator, and my published Chuck Mangione transcriptions.

The Sound of Silence: Flugelhorn Duet

I recently rediscovered this fun collaboration from early 2019, recorded on the Bandhub platform back when it was still active.

This is The Sound of Silence arranged as a flugelhorn duet, right up until the final chorus when my good friend Adriam Munn steps in, channeling Maynard Ferguson with a soaring trumpet line in the upper octave.

Hope you enjoy it!

Resources:

The Sound of Silence - Flugelhorn & Trumpet Duet. Transcribed by Gary Badger - www.GaryBadger.com

Transcribed by me and free for you to use.

What do you think? Please leave a comment and let me know.

Ron Kenoly – Jubilee

This is from one of those rare occasions when I answered a transcription request…

I’m not familiar with Ron Kenoly or the worship/gospel genre, but I sure know that the horn section is hot!

Here are charts for 2 trumpets and 2 trombones.

Resources:

Ron Kenoly - Jubilee - Trumpets & Trombones. Transcribed by Gary Badger - www.GaryBadger.com

Transcribed by me and free for you to use.

What do you think? Please leave a comment and let me know.